Saturday — Hot Latin Songs · NewMusic Press Daily No. 1 — the full review lives at https://newmusic.press/daily-no-1/bby-wow · Chart dated 2026-10-10
newmusic.press is an independent publication. This review is not affiliated with, endorsed by, or sponsored by Billboard, Luminate, or any artist, label, publisher, or company named in it. Chart positions are cited as a formal reference only, with the chart name, chart date, and source link shown below.
- Chart(s): Billboard Hot Latin Songs
- Chart date: 2026-10-10
- Date checked: 2026-10-12
- Position: No. 1
- Weeks at No. 1 (this song, this chart): [needs confirmation] — the public record conflicts with itself: 7 weeks (one chart-reference table), six weeks (the song article’s text), 5 weeks (a milestones table). No figure is printed as fact; see the verification log.
- Chart source: billboard.com chart page [needs confirmation — direct fetch blocked at this level; see verification log]
- Cross-check sources: the chart’s reference page (No. 1 as of the Oct. 10, 2026 issue); the 2026 Latin No. 1s list (first at No. 1 on Aug. 29, 2026, no replacement through Oct. 10) — full links in
00-chart-verification-log.md
Quick answer
“BbY WOW” by Karol G with Judeline and Rusowsky is No. 1 on Billboard’s Hot Latin Songs for the chart dated October 10, 2026 — the Spanish collaborators’ first No. 1 on that chart beside the artist’s eleventh. The headline metadata finding: even the song’s own name will not sit still — the platforms style it “BbY WOW” and bill one of its makers in lowercase, while the reference pages style it “Bby Wow” — and nobody can agree in public on how many weeks it has been No. 1.
The record (verified facts only)
- Title: “BbY WOW” on Apple Music, Spotify, YouTube, and Deezer; “Bby Wow” in the chart-reference lists and the song’s reference article
- Artist(s): KAROL G, Judeline & rusowsky — “rusowsky” billed lowercase on the platforms; “Rusowsky” capitalized in reference sources
- Album / release: track 11 on NO ME ARREPIENTO DE SENTIR TANTO (album, Aug. 7, 2026); issued as a standalone single Sept. 25, 2026
- Release date: August 7, 2026 (album); September 25, 2026 (single)
- Duration: 3:45 — the one field every platform agrees on
- Explicit: track 11 carries no “E” in the Spotify album listing where other tracks do [Apple badge needs a live check]
- Genre as listed: “Latin” (Apple) / “Urbano latino” (iTunes listing) / dancehall, Latin pop (reference infobox) — a three-way split
- ISRC: [needs confirmation] — a single aggregator lists one on a page whose label line conflicts with every platform; not adopted
- ISWC: [needs confirmation]
- Official video: no official music video exists — an official visualizer only: “KAROL G, Judeline, rusowsky – BbY WOW (Visualizer)” — https://www.youtube.com/watch?v=fRIhCiUVaKs
- Sources: https://music.apple.com/gb/album/bby-wow/6796864741?i=6796864754 · https://open.spotify.com/album/7a0lnWtCz0eW15WsWu3dHQ · https://en.wikipedia.org/wiki/Bby_Wow · https://www.deezer.com/en/track/4208859922
Vertical Integration — Who Owns the Chain
The headline angle of this review, from verified lines only.
Both recording lines read “© 2026 Bichota Records LLC, under exclusive license to Interscope Records / ℗ 2026 Bichota Records LLC, under exclusive license to Interscope Records.” The structure is printed on the record itself: the artist’s own company holds the work, and the major works under a license from her house. The three billed artists also stand inside the making — all three are credited producers alongside Tainy and Omer Fedi — so the front of the chain (writing room, production desk, recording line) sits with the artists and the artist’s company, and what is rented is the major’s distribution and reach.
Past that, the public chain goes dark in the usual places: no publisher, rights home, administrator, or ISWC for this work is public anywhere found — [needs confirmation] — and one more name belongs in this section: a seventh writer appears in one platform’s credits and not the others (see below), which is a publishing question the public record currently answers two ways.
- Sources: Spotify album listing (©/℗ lines) · https://en.wikipedia.org/wiki/Bby_Wow
Pass A — Metadata audit
| Engine | Score | Finding |
|---|---|---|
| SEO — search | fix | The title’s own styling splits the song in two: “BbY WOW” on every platform, “Bby Wow” in the reference and chart pages — a listener searching one form lands on pages titled the other. |
| AEO — answer engines | fix | “How many weeks has it been No. 1?” has three public answers (7, 6, 5). The song and its makers answer cleanly; its own headline number does not. |
| GEO — generative engines | fix | The credit facts conflict across citable pages: one platform’s credit feed names seven writers where the others name six — the sample writer is in one feed and out of the rest. |
| VSO — voice search | fix | A spoken title meets a styling (“BbY WOW”) that no voice spells; the artist names carry the search, not the title. |
| LOC — local search | fix | A real place story exists — the verses were recorded remotely in different parts of Spain — but no studio or city is named anywhere, so the tie cannot be pinned to a place. |
| VID — video search | missing | There is no official music video for a No. 1 record — only a visualizer, whose description carries no crew credits at all. The video engine has almost nothing to find. |
| ASO — app stores | n/a | The release carries no app of its own. |
| SOC — social search | fix | The lead artist’s handles and hashtags are consistent in the official description — but the two collaborators’ primary handles cannot be verified from official sources for this release. |
Press-kit check (required): none found. No public press kit / EPK for this release exists in the sources checked — no kit page, no builder, no contents to compare against the ledger.
Cross-check findings:
- Field: Title styling — reads as BbY WOW (Apple, Spotify, YouTube, Deezer) / reads as Bby Wow (chart-reference lists, song article).
- Field: Billing capitalization — reads as rusowsky lowercase (all platforms) / reads as Rusowsky (reference infobox and track listing).
- Field: Billing order — reads as KAROL G, Judeline, rusowsky (Spotify, YouTube) / reads as KAROL G, rusowsky & Judeline in some listings and reports.
- Field: Writer list — reads as six writers (album track listing) / reads as seven, adding Cordel Dexter Burrell (Deezer’s writer and composer lists) — consistent with the reported “Coolie Dance” riddim underneath the record, and unresolved in public.
- Field: Release dates — album Aug. 7, 2026 (Spotify) / an iTunes-store listing via an aggregator reads Aug. 5, 2026 / standalone single Sept. 25, 2026 / Spain radio Sept. 5, 2026.
- Field: Label line — full form Bichota Records LLC, under exclusive license to Interscope Records (Spotify, YouTube footer) / short form Bichota, Interscope (reference) / Universal in the Spain and Italy radio rows of the release history.
- Field: Genre — Latin / Urbano latino / dancehall, Latin pop (three sources, three answers).
- Field: Weeks at No. 1 — 7 / 6 / 5 across three chart-reference tables (see header).
- Small and telling: one syndicated Shorts re-post footer misspells the collaborator as “juliowsky”; the official visualizer’s footer reads “rusowsky” correctly.
Behind-the-scenes visibility (required finding): partly credited. The engineers are named in the streaming credits — mastering, mix, additional mix, engineering — which is more than most of this week can show. But there is no video crew to credit because there is no video; no studio is named though the remote-recording story is told in coverage; and the publishing side, including whether the sample’s writer is in the official set, is credited inconsistently or nowhere.
Clean: the duration (3:45) agrees everywhere; the ©/℗ lines are identical on the platforms checked and they state the ownership structure plainly.
To fix: (1) settle one styling for the title and one for every billed name; (2) settle the writer list — the seventh name is either a credit or an error, and publishing money follows that answer; (3) give a No. 1 record a real video with a credited crew, or credit the visualizer’s makers; (4) publish the publishing facts and one weeks figure the record can stand behind.
Behind-the-Scenes Roll Call
- Tainy (Marco Masís) — songwriter; producer — Writing Room / The Making — https://en.wikipedia.org/wiki/No_Me_Arrepiento_de_Sentir_Tanto · https://en.wikipedia.org/wiki/Bby_Wow
- Omer Fedi — songwriter; producer — Writing Room / The Making — same
- Andrés Correa (Andrés Jael Correa Ríos) — songwriter — The Writing Room — same
- Lara Fernández — songwriter (Judeline; also billed in front) — The Writing Room — same
- Ruslán Mediavilla — songwriter (Rusowsky; also billed in front) — The Writing Room — same
- Dave Kutch — mastering — Engineers & Equipment — https://en.wikipedia.org/wiki/Bby_Wow (credits adapted from Apple Music and Tidal)
- Rob Kinelski — mixing — Engineers & Equipment — same
- Eli Heisler — additional mixing — Engineers & Equipment — same
- Joey Mora — engineering — Engineers & Equipment — same
- Cordel Dexter Burrell — writer/composer in Deezer’s credit feed only — The Writing Room — https://www.deezer.com/en/track/4208859922 — listed here with its conflict attached: the name does not appear in the album’s published writer list (see Pass A)
- Total behind the scenes, verified: 9, plus 1 conflicted · still
[needs confirmation]: publishing entire, studios, the visualizer’s makers.
Teams & Companies ledger — all departments
1. The Writing Room
| Part | Name | In front / Behind the scenes | Company / house | Source |
|---|---|---|---|---|
| Songwriter | Carolina Giraldo (Karol G) | in front | — | https://en.wikipedia.org/wiki/No_Me_Arrepiento_de_Sentir_Tanto |
| Songwriter | Lara Fernández (Judeline) | in front | — | same |
| Songwriter | Ruslán Mediavilla (Rusowsky) | in front | — | same |
| Songwriter | Andrés Correa | behind the scenes | — | same |
| Songwriter | Marco Masís (Tainy) | behind the scenes | — | same |
| Songwriter | Omer Fedi | behind the scenes | — | same |
| Sample writer | Cordel Dexter Burrell — credited as writer/composer on Deezer only; the record is reported to carry the “Coolie Dance” riddim. Whether he is in the official writer set is unresolved in public — see Pass A | behind the scenes | — | https://www.deezer.com/en/track/4208859922 · https://en.wikipedia.org/wiki/Bby_Wow |
Written January 2026, in a session that also produced three other album songs (song article, as above).
2. The Making
| Part | Name | In front / Behind the scenes | Company / house | Source |
|---|---|---|---|---|
| Producer | Karol G | in front | — | https://en.wikipedia.org/wiki/Bby_Wow |
| Producer | Judeline | in front | — | same |
| Producer | Rusowsky | in front | — | same |
| Producer | Tainy | behind the scenes | — | same |
| Producer | Omer Fedi | behind the scenes | — | same |
| Note | One interview simplifies this to “produced by Tainy” — a press simplification, not the credit set; the full set above controls | — | — | https://remezcla.com/features/music/interview-judeline-is-ready-to-move-on-her-own-terms-with-la-falda/ |
| Vocal production; musicians | [needs confirmation] — no separate public credits in the sources checked | behind the scenes | — | — |
3. Engineers & Equipment
| Part | Name / item | In front / Behind the scenes | Company / house | Source |
|---|---|---|---|---|
| Mastering engineer | Dave Kutch | behind the scenes | — | https://en.wikipedia.org/wiki/Bby_Wow |
| Mix engineer | Rob Kinelski | behind the scenes | — | same |
| Additional mixing | Eli Heisler | behind the scenes | — | same |
| Engineering | Joey Mora (role stated as “engineering,” no narrower title) | behind the scenes | — | same |
| Equipment | [needs confirmation] | behind the scenes | — | — |
4. Studios
| Studio / house | City | What was done there | Source |
|---|---|---|---|
| [needs confirmation] — no studio is named for this work anywhere public found. Coverage states the verses were recorded remotely in different parts of Spain and that one artist hurried to a nearest studio — and names none of them | Spain (parts unnamed) | Remote recording of verses | https://en.wikipedia.org/wiki/Bby_Wow |
5. The Visuals (stills)
| Part | Name | In front / Behind the scenes | Company / house | Source |
|---|---|---|---|---|
| Cover art / design; photography | [needs confirmation] — a specific single cover exists (release history) but no maker is credited in the sources checked | behind the scenes | — | — |
6. Video Crew & Production
| Part | Name | In front / Behind the scenes | Company / house | Source |
|---|---|---|---|---|
| Official music video | none exists — the song article states the record was not initially supported with a music video | — | — | https://en.wikipedia.org/wiki/Bby_Wow |
| Visualizer — all crew roles | [needs confirmation] — the visualizer’s description carries no director, camera, or edit credits | behind the scenes | — | https://www.youtube.com/watch?v=fRIhCiUVaKs |
7. Rights & Publishing
| Part | Name | In front / Behind the scenes | Company / house | Source |
|---|---|---|---|---|
| Publisher(s); writers’ PROs for this work; administrator; sample clearance | [needs confirmation] — no ASCAP, BMI, SESAC, or SGAE repertoire entry for this work was returned in any search. The sample-writer question in §1 makes this department the one that most needs a public answer | behind the scenes | — | — |
8. The Label
| Part | Name | In front / Behind the scenes | Company / house | Source |
|---|---|---|---|---|
| Label / holder as listed | Bichota Records LLC, under exclusive license to Interscope Records (both the © and ℗ lines) | — | Bichota Records LLC · Interscope Records | Spotify album listing |
| A&R; product / release management; label services | [needs confirmation] | behind the scenes | — | — |
9. The Delivery (audio)
| Part | Name | In front / Behind the scenes | Company / house | Source |
|---|---|---|---|---|
| Distributor; metadata desk; streaming pitching | [needs confirmation] | behind the scenes | — | — |
| Where released | Streaming services: album track (Aug. 7, 2026), standalone single (Sept. 25, 2026) | — | — | Spotify / Wikipedia as above |
10. Video Distribution
| Part | Name / place | Date | Source |
|---|---|---|---|
| Channels it lives on | The visualizer, on the lead artist’s YouTube channel (Official visualizer, Aug. 7, 2026) | Aug. 7, 2026 | https://kworb.net/youtube/video/fRIhCiUVaKs.html · https://www.youtube.com/watch?v=fRIhCiUVaKs |
| Distributor; territories | [needs confirmation] | — | — |
11. Publicity & Press
| Part | Name | In front / Behind the scenes | Company / house | Source |
|---|---|---|---|---|
| Publicist / press firm | [needs confirmation] — releases are filed under the lead artist’s interscope.com artist page; no firm is credited | behind the scenes | Interscope Records (site filed under) | https://www.interscope.com/artist/karol-g |
| Press kit / EPK | none found (see Pass A press-kit check) | — | — | — |
| Press events | Both collaborators performed the song live with the lead artist on tour (Boston; MetLife Stadium), per the performance coverage | in front | — | the chart/coverage items below |
Press coverage of the release (outlet — date — link — one plain line):
- Billboard, via syndication (Hispanically Yours) — Aug. 29, 2026 — https://www.hispanicallyyours.com/judeline-rusowsky-earn-first-no-1-on-billboard-chart-with-karol-g-collab-bby-wow/ — “Judeline & Rusowsky Earn First No. 1 on Billboard Chart With Karol G Collab” (first Billboard No. 1 for both collaborators).
- Billboard, via syndication (KJWL) — Oct. 12, 2026 — https://www.kjwl.com/2026/10/12/karol-g-judeline-rusowskys-bby-wow-back-to-no-1-on-billboard-global-charts/ — “Karol G, Judeline & Rusowsky’s ‘BbY WOW’ Back to No. 1 on Billboard Global Charts” (“tops the Billboard Global 200 for a second week”). Leads with “Karol G is back at No. 1 with Judeline and Rusowsky,” and frames the run as the collaborations “with the Spanish artists (‘BbY WOW’ and ‘Verano Rosa’)… [re-shaping] her run.”
- Remezcla — Sept. 29, 2026 — https://remezcla.com/music/interview-los-menor3s-on-their-viral-bby-wow-dance-meeting-karol-g/ — interview with the creators of the viral dance for this song (“TikTok dance by Los Menor3s”).
- Capital — Oct. 1, 2026 — https://www.capitalfm.com/news/music/karol-g-bby-wow-lyrics-meaning-english-feid/ — the lyrics-meaning explainer for the song (“Karol G ‘BbY WOW’ lyrics meaning explained”).
- Rolling Stone, via syndication (wdcnews6) — Sept. 13, 2026 — https://wdcnews6.com/bby-wow-judeline-reacts-to-songs-success-working-with-karol-g/ — “‘Bby Wow’: Judeline Reacts to Song’s Success, Working With Karol G” — syndicated Rolling Stone Espanol interview.
12. Socials
| Account | Platform | Handle, exactly as stated | Run by | Source |
|---|---|---|---|---|
| Karol G | Instagram / X / TikTok | /karolg | artist / team | official visualizer description |
| Karol G | /karolgoficial | artist / team | official visualizer description | |
| Judeline | TikTok | @judeline__ | artist | label-side article (Interscope) |
| Judeline | [needs confirmation] | — | — | |
| Rusowsky | — | [needs confirmation] — a reaction post under the handle @rusiaidk is embedded in a label-side article; the primary account is not verified beyond that | — | https://www.interscope.com (label-side piece, as above) |
| Label accounts for this release | — | [needs confirmation] | — | — |
| Hashtags in the official description | — | #KAROLG #NMADST #BbYWOW #Judeline #rusowsky | — | official visualizer description |
13. Sponsors & Ads
Sponsors & brand partners of the release / video: none public found.
| Part | Name | In front / Behind the scenes | Company / house | Source |
|---|---|---|---|---|
| Ad agency; media / placement buyers | [needs confirmation] | behind the scenes | — | — |
14. The Word
| Part | Name | In front / Behind the scenes | Company / house | Source |
|---|---|---|---|---|
| Radio — Spain | Spain radio impact date Sept. 5, 2026 | behind the scenes | label as listed: Universal | https://earone.com/post/karol-g-bby-wow-radiodate |
| Radio — Italy | Italy radio date Oct. 16, 2026 | behind the scenes | label as listed: Universal | same |
| Marketing campaigns; fan-marketing / street teams | [needs confirmation] — the viral dance is a fan/creator story (see §11), not a credited campaign | behind the scenes | — | — |
15. The Business
| Part | Name | In front / Behind the scenes | Company / house | Source |
|---|---|---|---|---|
| Management; legal; business management; booking (for this release) | [needs confirmation] — nothing release-specific is public; artist-level arrangements that predate this work are not carried here | behind the scenes | — | — |
16. The Budget & Capitalization
| Line | Figure | Reported / [needs confirmation] | Source |
|---|---|---|---|
| Recording budget; visualizer budget; advances; capitalization | [needs confirmation] — no figure is public for this release. Guard: the figure that surfaces in searches names a much larger sum — it concerns the artist’s label arrangement reported in 2023, not this song, and is not carried here as a budget | [needs confirmation] | — |
17. Monetization & Collection
| Lane | How it is monetized, as publicly stated | Who collects it | Source |
|---|---|---|---|
| Streaming / sales | Monetized as an album track and a standalone single on the platforms above | [needs confirmation] | platform listings, as above |
| Video monetization | The official visualizer is on the artist’s channel | [needs confirmation] | official visualizer, as above |
| Holder named on the recording lines | Bichota Records LLC (©/℗, under exclusive license to Interscope Records) | Bichota Records LLC | Spotify album listing |
Summary line: [needs confirmation] rows and departments: Publishing (entire, including the sample-writer conflict), studios, visuals (cover & photo), video crew (visualizer), delivery desks, label A&R, publicity firm, business, budget, collection parties; ISRC and ISWC; weeks at No. 1 (conflicted in public: 7 / 6 / 5); the collaborators’ primary social handles; label handles.
Vertical Map — the whole chain, one line per department
- Writing Room: the three billed artists (Karol G, Judeline, Rusowsky) plus Tainy, Omer Fedi and Andrés Correa; a seventh name on one platform’s feed — INSIDE/PARTNER (the writers are the artists and their producer circle; the sample credit is disputed across platforms)
- The Making: artist-produced (all three billed artists) with Tainy and Omer Fedi — INSIDE/PARTNER
- Engineers & Equipment: Kutch, Kinelski, Heisler, Mora — OUTSIDE · NAMED (named engineers hired per record)
- Studios: [needs confirmation] — verses recorded remotely in Spain
- The Visuals (stills): [needs confirmation]
- Video Crew & Production: no official video exists; visualizer crew [needs confirmation]
- Rights & Publishing: [needs confirmation] — entire department unpublished, sample writer included
- The Label: Bichota Records holding ©/℗, licensed exclusively to Interscope — INSIDE at the top of the chain (the artist’s own company), major for reach
- The Delivery (audio): [needs confirmation]
- Video Distribution: the artist’s own YouTube channel
- Publicity & Press: firm [needs confirmation]; filed under the label’s artist page
- Socials: artist accounts verified from the release itself; collaborators partly
- Sponsors & Ads: none public found
- The Word: radio dates in Spain and Italy, label listed as Universal
- The Business: [needs confirmation]
- The Budget & Capitalization: [needs confirmation]
- Monetization & Collection: holder named (Bichota Records LLC); collectors [needs confirmation]
The chain in one sentence: The artists wrote it, produced it, and hold it in the lead artist’s own company, licensing a major for reach — while the sample writer’s credit flips between platforms, no video crew exists to credit, and the publishing and collection end of the chain is published nowhere.
Q&A
Q: What is the No. 1 song on Hot Latin Songs this week?
A: “BbY WOW” by Karol G with Judeline and Rusowsky, No. 1 on the chart dated 2026-10-10.
Q: Who wrote “BbY WOW”?
A: Carolina Giraldo (Karol G), Lara Fernández (Judeline), Ruslán Mediavilla (Rusowsky), Andrés Correa, Marco Masís (Tainy), and Omer Fedi — with Cordel Dexter Burrell named as a writer on one platform’s credit feed only [conflicted; see Pass A].
Q: What label is “BbY WOW” on?
A: Bichota Records LLC, under exclusive license to Interscope Records — the lead artist’s own company holds the record.
Q: Who worked behind the scenes on “BbY WOW”?
A: Behind the scenes, verified: 9, plus 1 conflicted — songwriters/producers Tainy and Omer Fedi, songwriter Andrés Correa, mastering engineer Dave Kutch, mix engineer Rob Kinelski, additional mixing by Eli Heisler, engineering by Joey Mora, plus the two billed collaborators’ songwriting — with the sample-writer credit for Cordel Dexter Burrell conflicted. Publishing, studios, and every visual and business department are [needs confirmation].
Q: Is there an official video for “BbY WOW”?
A: No — no official music video exists. There is an official visualizer on the artist’s YouTube channel, and its crew is [needs confirmation].
Q: How many weeks has “BbY WOW” been No. 1?
A: [needs confirmation] — the public record given for this chart conflicts with itself: 7, 6, and 5 weeks across three chart-reference tables.
Q: Where was “BbY WOW” recorded?
A: [needs confirmation] — no studio is named anywhere public found; the verses were recorded remotely in different parts of Spain.
Tags — all mentioned, cited above
- Karol G — Instagram/X/TikTok /karolg · Facebook /karolgoficial (official visualizer description)
- Judeline — TikTok @judeline__ (label-side article) · Instagram [needs confirmation]
- Rusowsky — [needs confirmation] (a reaction post under @rusiaidk is embedded in a label-side article; primary account unverified)
- Bichota Records — [needs confirmation] (fan-wiki handle only)
- Interscope Records — [needs confirmation] (no handle stated for this release)
- Tainy — [needs confirmation]
- Omer Fedi — [needs confirmation]
- Dave Kutch — [needs confirmation]
- Rob Kinelski — [needs confirmation]
- Cordel Dexter Burrell — [needs confirmation] (conflicted credit — see Pass A)
Close
newmusic.press is an independent publication. This review is not affiliated with, endorsed by, or sponsored by Billboard, Luminate, or any artist, label, publisher, or company named in it. Chart positions are cited as a formal reference only, with the chart name, chart date, and source link shown below.
— Byron Jupiter, newmusic.press
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© 2026 Byron Jupiter. All rights reserved. No copying, sampling or AI training without written permission: sales@leasethebox.com
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