By Byron Jupiter · Chart Metadata · October 19, 2026
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Why this song today: Monday’s report covers the No. 1 song on the Hot 100. That song, Taylor Swift’s “Patient Zero,” already has a report here. So do No. 2, Ella Langley’s “Choosin’ Texas” (credits report), No. 3, Stella Lefty’s “Boston” (credits report), No. 4, Morgan Wallen’s “Been By Now” (credits report) and No. 5, Drake & Don Toliver’s “Solar Eclipse” (credits report). This report moves to the next-highest song not yet covered: “Dracula” by Tame Impala & JENNIE, at No. 6.
The chart line
- Title: Dracula
- Artists: Tame Impala & JENNIE (chart billing)
- Position: No. 6 on the Billboard Hot 100, chart dated October 17, 2026, up from No. 10 the week before
- Weeks on chart: 54
- Peak: No. 5
- Source: Billboard’s Hot 100 page for the week of October 17, 2026
- How to read the 54 weeks: The run reaches back to the fall of 2025, when Tame Impala’s solo original came out. The JENNIE remix arrived in February 2026, and the chart line now carries both names.
The record
- Original release: September 26, 2025, per Apple Music’s page for the original track.
- JENNIE remix release: February 6, 2026, as a two-track single (the remix plus the original), per Apple Music and Spotify. Tame Impala’s official site links to the remix.
- Length: 3:29 for the JENNIE remix and 3:25 for the original, per the Discogs entry for the digital single.
- Label: Columbia Records, a division of Sony Music Entertainment. The ℗ 2026 line on Apple Music and Spotify says Columbia holds the recording under exclusive license from Tame Impala.
- Distributor: Sony Music Entertainment is named as the record company on Discogs. The exact distribution entity is unconfirmed.
- Physical: A limited CD single for Europe and the UK came out May 15, 2026, catalog number 19958459182, barcode 199584591827, per Discogs.
- ISRC: unconfirmed. The SoundExchange ISRC search needs a full browser, and no official page checked prints the code.
- ISWC: unconfirmed.
Full credits
| Role | Name | Status |
|---|---|---|
| Lead artist, vocals | Kevin Parker (Tame Impala) | Confirmed: chart billing and official streaming pages |
| Featured artist, vocals | JENNIE | Confirmed: chart billing and official streaming pages |
| Songwriters | Kevin Parker, Sarah Aarons, JENNIE, Carly Gibert | Confirmed for the remix on the Discogs entry for the official CD single |
| Writers of the original | Kevin Parker, Sarah Aarons | Reported; JENNIE and Carly Gibert join on the remix |
| Producer | Kevin Parker | Confirmed on Discogs |
| Additional production | Loren Humphrey | Reported; not on an official page checked |
| Recording engineer | Kevin Parker | Confirmed on Discogs |
| Recording engineers, other | Loren Humphrey; Jung Eun-kyung (JENNIE’s vocals on the remix) | Reported |
| Mixing engineer | Eric J Dubowsky, with Mendy Stein assisting (remix); Kevin Parker (original) | Reported |
| Mastering engineer | Matt Colton, Metropolis Mastering, London | Reported |
| Session players and singers | None named beyond the two artists | Unconfirmed |
| Samples or interpolations | None documented | No sample or interpolation found on any page checked |
Studios, reported: Kevin Parker’s home studio in Fremantle and Wave House in Injidup, both in Western Australia, with more recording at Diamond Mine in New York City.
Publishing and PROs
- Publishers: unconfirmed. No official page checked names which company holds each writer’s share.
- PRO for each writer: unconfirmed. BMI Repertoire and ASCAP ACE were not reachable from here and should be checked by hand. Some of the writers may sit with societies outside the U.S.
- Mechanicals: The MLC public search loads only in a full browser; no entry confirmed.
- Splits: unconfirmed.
What the credits show
This is close to a one-man record. Kevin Parker is Tame Impala, and the credits name him as writer, producer, recording engineer and lead voice. The remix opened the room a little: JENNIE and Carly Gibert joined Parker and Sarah Aarons on the writing credit, and outside engineers are reported on the mix and master. The master (the recording) is held by Columbia under an exclusive license from Tame Impala. That wording points to Parker’s side keeping the recording and licensing it to Columbia, under terms that are not public. The publishing (the song) is now split four ways. Each writer is paid performance royalties through a PRO and mechanicals through The MLC, in shares that are not public. On digital radio (SiriusXM, internet radio), SoundExchange pays 50% to the master owner, 45% to the featured artists, and 5% to non-featured players and singers through the AFM & SAG-AFTRA Fund. With Parker playing the parts himself and no session players named, that 5% may have few or no names to go to.
Left unconfirmed
ISRC, ISWC, publishers, each writer’s PRO, writer splits, the exact distribution entity, and session players. The additional production, mixing and mastering credits are reported but not yet on an official page checked.
Q&A
Q: Where is “Dracula” on the Hot 100 this week?
A: No. 6 on the chart dated October 17, 2026, up from No. 10. It has spent 54 weeks on the chart and peaked at No. 5.
Q: Who wrote “Dracula” with JENNIE?
A: Kevin Parker, Sarah Aarons, JENNIE and Carly Gibert are credited as writers on the JENNIE remix, per the Discogs entry for the official Columbia CD single.
Q: Who produced “Dracula”?
A: Kevin Parker, per the same Discogs entry. Loren Humphrey is reported for additional production; that credit is not on an official page checked.
Q: What label released the JENNIE remix, and when?
A: Columbia Records, a division of Sony Music Entertainment, under exclusive license from Tame Impala. The remix came out February 6, 2026.
Q: Who gets paid when “Dracula” plays on digital radio?
A: SoundExchange splits it 50% to the master owner, 45% to the featured artists, and 5% to non-featured players and singers through the AFM & SAG-AFTRA Fund.
More in this series: Every writer, producer and player from these reports is gathered in the Credits Index. The previous Hot 100 report covers “Solar Eclipse” by Drake & Don Toliver at No. 5.
Rendering by the Byron Jupiter Agency, with Renaissance Instruments.
© 2026 Byron Jupiter. All rights reserved. No copying, sampling, or AI training without written permission. sales@leasethebox.com
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